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Videos uploaded by user “ReVoLuTiOnElleBC”
COUNTRY GIRLS SHAKE to BURNIN IT DOWN | SEXY TWERK DANCE | #RUMPS4TRUMP тверк
 
02:50
sippin on some cold JACK DANIELS, baby layin right here, NAKED in my BED. Say it makes you FEEL LIKE AN ANGEL. Get a little tangled up right about now, so GIRL LETS KEEP BURNIN IT DOWN. let's hit the switch and make our SHADOWS DANCE and light it up like it's our last chance... тверк
Views: 2268786 ReVoLuTiOnElleBC
COUNTRY GIRL SHAKE - PART 1 | HONKY TONK |  SEXY TWERK DANCE тверк
 
03:36
GOT A LITTLE BOOM IN BY BACK TRUCK. GONNA WATCH YOU MAKE ME FALL IN LOVE. GIRL I CAN'T WAIT TO WATCH YOU DO YOUR THING! тверк This content is not associated with or endorsed by any corporations, companies, conglomerates, LLCs, or registered 504c3 organizations in any way. The Transformative Factor: The Purpose and Character of Fair Use. In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new or merely copied verbatim into another work. In this case, the material taken from the original work has been transformed by adding new expression or meaning through the use of mashup/mixing, layering of multiple different tracks, pitch modulation, tempo adjustment, overlay, and the application of both harmonic and dis-harmonic phasing. Thus, value is added to the original by creating new sets of musical chords and structures, both aesthetically pleasing and not aesthetically pleasing. In addition, the pitch modulations suggestive of a male voice singing falsetto to perform as a female add a layer of critical theory to the mix. The this fair use of a copyrighted track creates a parody which is significantly different from the original in it's artistic intent, creates new aesthetics by mixing both pleasing and unpleasing vocal and digital harmonies, and creates new understanding by asking listeners to critically synthesize a variety of disparate pieces of music as they relate to specific set of pop culture iconographies. Visually, the juxtaposition of these various pop culture iconographies as synced with the extensively modified, layered, and remixed audio tracks adds a further layer of parody to the artistic work.
Views: 743606 ReVoLuTiOnElleBC
COUNTRY GIRL TWERK | OFFICIAL DANCE VIDEO | SEXY SOUTHERN SHORTY got LOW
 
03:28
find a spot WAY BACK IN THE WOODS (COUNTRY GIRL TWERK) COUNTRY GIRLS they DO IT GOOD (COUNTRY GIRL TWERK) TWIST and SHAKE and DROP IT DOWN LOW (COUNTRY GIRL TWERK) This content is not associated with or endorsed by any corporations, companies, conglomerates, LLCs, or registered 504c3 organizations in any way. The Transformative Factor: The Purpose and Character of Fair Use. In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new or merely copied verbatim into another work. In this case, the material taken from the original work has been transformed by adding new expression or meaning through the use of mashup/mixing, layering of multiple different tracks, pitch modulation, tempo adjustment, overlay, and the application of both harmonic and dis-harmonic phasing. Thus, value is added to the original by creating new sets of musical chords and structures, both aesthetically pleasing and not aesthetically pleasing. In addition, the pitch modulations suggestive of a male voice singing falsetto to perform as a female add a layer of critical theory to the mix. The this fair use of a copyrighted track creates a parody which is significantly different from the original in it's artistic intent, creates new aesthetics by mixing both pleasing and unpleasing vocal and digital harmonies, and creates new understanding by asking listeners to critically synthesize a variety of disparate pieces of music as they relate to specific set of pop culture iconographies. Visually, the juxtaposition of these various pop culture iconographies as synced with the extensively modified, layered, and remixed audio tracks adds a further layer of parody to the artistic work.
Views: 9034 ReVoLuTiOnElleBC
TEASE | QUEEN OF MY DOUBLE WIDE | SEXY COUNTRY TWERK тверк
 
00:26
DANG HER BLACK HEART AND HER PRETTY RED NECK. I ORDERED HER A SLOW GIN FIZZ. SHE SAID I LIKE LIVIN LIKE THIS! тверк This content is not associated with or endorsed by any corporations, companies, conglomerates, LLCs, or registered 504c3 organizations in any way. The Transformative Factor: The Purpose and Character of Fair Use. In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new or merely copied verbatim into another work. In this case, the material taken from the original work has been transformed by adding new expression or meaning through the use of mashup/mixing, layering of multiple different tracks, pitch modulation, tempo adjustment, overlay, and the application of both harmonic and dis-harmonic phasing. Thus, value is added to the original by creating new sets of musical chords and structures, both aesthetically pleasing and not aesthetically pleasing. In addition, the pitch modulations suggestive of a male voice singing falsetto to perform as a female add a layer of critical theory to the mix. The this fair use of a copyrighted track creates a parody which is significantly different from the original in it's artistic intent, creates new aesthetics by mixing both pleasing and unpleasing vocal and digital harmonies, and creates new understanding by asking listeners to critically synthesize a variety of disparate pieces of music as they relate to specific set of pop culture iconographies. Visually, the juxtaposition of these various pop culture iconographies as synced with the extensively modified, layered, and remixed audio tracks adds a further layer of parody to the artistic work.
Views: 18613 ReVoLuTiOnElleBC
TEASE ME  | COUNTRY GIRL TWERK |  OFFICIAL DANCE VIDEO | SEXY SOUTHERN BELLE
 
00:45
find a spot WAY BACK IN THE WOODS (COUNTRY GIRLS they DO IT GOOD) TWIST and SHAKE and DROP it down LOW (COUNTRY GIRL TWERK) Twerk Twerk Twerk Twerk! This content is not associated with or endorsed by any corporations, companies, conglomerates, LLCs, or registered 504c3 organizations in any way. The Transformative Factor: The Purpose and Character of Fair Use. In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new or merely copied verbatim into another work. In this case, the material taken from the original work has been transformed by adding new expression or meaning through the use of mashup/mixing, layering of multiple different tracks, pitch modulation, tempo adjustment, overlay, and the application of both harmonic and dis-harmonic phasing. Thus, value is added to the original by creating new sets of musical chords and structures, both aesthetically pleasing and not aesthetically pleasing. In addition, the pitch modulations suggestive of a male voice singing falsetto to perform as a female add a layer of critical theory to the mix. The this fair use of a copyrighted track creates a parody which is significantly different from the original in it's artistic intent, creates new aesthetics by mixing both pleasing and unpleasing vocal and digital harmonies, and creates new understanding by asking listeners to critically synthesize a variety of disparate pieces of music as they relate to specific set of pop culture iconographies. Visually, the juxtaposition of these various pop culture iconographies as synced with the extensively modified, layered, and remixed audio tracks adds a further layer of parody to the artistic work.
Views: 4255 ReVoLuTiOnElleBC
TEASE ME | GIRL CRUSH | SOUTHERN BELLE | COUNTRY TWERKING
 
00:38
y'all better be nice if you wanna see the whole dance...💕😍💕💋💋💋👼👼👼 COUNTRY GIRL SHAKE IT FOR ME! COUNTRY GIRL TWERK! SOUTHERN GIRLS DO IT BETTER! This content is not associated with or endorsed by any corporations, companies, conglomerates, LLCs, or registered 504c3 organizations in any way. The Transformative Factor: The Purpose and Character of Fair Use. In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new or merely copied verbatim into another work. In this case, the material taken from the original work has been transformed by adding new expression or meaning through the use of mashup/mixing, layering of multiple different tracks, pitch modulation, tempo adjustment, overlay, and the application of both harmonic and dis-harmonic phasing. Thus, value is added to the original by creating new sets of musical chords and structures, both aesthetically pleasing and not aesthetically pleasing. In addition, the pitch modulations suggestive of a male voice singing falsetto to perform as a female add a layer of critical theory to the mix. The this fair use of a copyrighted track creates a parody which is significantly different from the original in it's artistic intent, creates new aesthetics by mixing both pleasing and unpleasing vocal and digital harmonies, and creates new understanding by asking listeners to critically synthesize a variety of disparate pieces of music as they relate to specific set of pop culture iconographies. Visually, the juxtaposition of these various pop culture iconographies as synced with the extensively modified, layered, and remixed audio tracks adds a further layer of parody to the artistic work.
Views: 5070 ReVoLuTiOnElleBC
LITTLE BOOTIES in a SNAPBACK | SEXY COUNTRY TWERK DANCE тверк
 
02:57
BOOTY BOOTY BOOTY BOOTY LITTLE BOOTIES IN SNAPBACKS | COUNTRY GIRL SHAKE тверк The Transformative Factor: The Purpose and Character of Fair Use. In a 1994 case, the Supreme Court emphasized this first factor as being a primary indicator of fair use. At issue is whether the material has been used to help create something new or merely copied verbatim into another work. In this case, the material taken from the original work has been transformed by adding new expression or meaning through the use of mashup/mixing, layering of multiple different tracks, pitch modulation, tempo adjustment, overlay, and the application of both harmonic and dis-harmonic phasing. Thus, value is added to the original by creating new sets of musical chords and structures, both aesthetically pleasing and not aesthetically pleasing. In addition, the pitch modulations suggestive of a male voice singing falsetto to perform as a female add a layer of critical theory to the mix. The this fair use of a copyrighted track creates a parody which is significantly different from the original in it's artistic intent, creates new aesthetics by mixing both pleasing and unpleasing vocal and digital harmonies, and creates new understanding by asking listeners to critically synthesize a variety of disparate pieces of music as they relate to specific set of pop culture iconographies. Visually, the juxtaposition of these various pop culture iconographies as synced with the extensively modified, layered, and remixed audio tracks adds a further layer of parody to the artistic work.
Views: 9090 ReVoLuTiOnElleBC